Carry On Glamping (My Radio Interview about the Carry Ons)

I contributed to a BBC radio Nottingham broadcast that took place from Meadow View Glamping and Leisure, Stapleford, Nottingham.

My reason for being there was that they wanted someone to talk about the fiftieth anniversary of the release of Carry On Camping (1969)! It came as a bit of a shock to realise that the film is fifty years old. It suddenly brought home how often and how long I have been watching this film. I recall a classmate talking about the mother-in-law being chased by a ram in the final scene the day after the film had been shown on TV. (Which might possibly have been its first TV broadcast).

Although I mention Carry On Camping in my book The Holiday and British Film (2012), I devote a bit more space to the caravan-site-themed Carry On Behind (1975). This is mainly because the chapter it appears in is loosely focused on caravan holidays, but also because I wanted to highlight Behind as it isn’t so often discussed as much as Camping.

Back to the film itself in a bit. What was most startling about my recent experience was seeing how radio is produced these days. I turned up at the glamping site to meet the presenter (Mark Dennison) and two other members of the team.

They had got into the camping spirit! Between the three of them they had slept in one of the luxurious glamping pods; a modern pop-up style tent; and an old-fashioned scouting tent with metal poles.

Everything about the way the programme was produced was deceptively casual. The presenter was holding an iPad / tablet and a microphone, and was wearing a set of headphones. A clipboard with a few notes was close to hand.

Although he could hear the programme being broadcast (music, news reports, and so on...) neither myself nor the rest of the production team could. Occasionally the presenter would chat to the rest of the team - “we’ve got ten minutes till the news, we could have another record before then...” or suddenly go into radio mode and laugh and comment on something he had heard through his headphones that we weren’t party to.

It was impressive to see how slickly the whole thing was handled. To look so laid back but to be in total control of a live radio broadcast, sitting in a chair on the edge of a field in Stapleford was an eye-opener. It also proved that studios are almost a thing of the past.

As I waited for my turn I went over a few points in my head. Then the presenter started chuckling at a sound clip from Carry On Camping that the rest of us couldn’t hear. Suddenly a few words and the microphone was thrust under me. Here are a few things that we discussed in the interview:

Would the Carry Ons work today if new versions were released? 

Probably not. Although some fans (including myself) love the films on a nostalgic level - with a tinge of guilty pleasure - much of the humour the series is based on would appear very out of context today. It would be difficult to deal in such humour without offending a large proportion of people. Thinking nostalgically, I distinctly recall kids at school playing Odd Bod and Junior in the school playground after watching Carry On Screaming (1966). The radio presenter pointed out here that there were aspects of the films that kids could enjoy as well as adults.

I spoke about how it was quite incredible that a feature film had been produced mainly around the location of a muddy field, and that no British film would ever get away with that nowadays without criticism for being cheap.

I did also say that Carry On Camping is my favourite of the series. Probably due to its simplicity and the fact that after seeing it so many times I can predict the lines that are coming up. I spoke about seeing it at the old Phoenix Arts cinema in Leicester in the 1990s as part of the annual comedy festival and how the audience applauded at the film's conclusion. This is not the only time I’ve witnessed this in the cinema, but it is a very rare occurrence.

After about seven minutes the interview was over. It was the turn of the campsite owner to be interviewed. In his interview he said that opening the site was part of a move to make Stapleford an up-and-coming area.

What an experience - to witness this first-hand, and to see how radio is produced these days.

Skegness

What images are conjured up by the name of ‘Skegness’?

A queue of traffic stretching towards Lincolnshire’s most popular seaside resort?… More fish and chip shops than you can count on 6 hands?… the numerous caravan parks?… or Butlin’s holiday camp?

The railways made Skegness, just as they did so many other British seaside resorts. The familiar picture of a fisherman bounding along with the slogan ‘Skegness is so bracing!’ was originally a railway poster by John Hassall (1908) and has become an enduring emblem of the town.

Billy Butlin was the next individual that should take credit for Skegness’s tourism industry. After making his fortune by opening a chain of seaside amusement parks in resorts such as Mablethorpe, Hayling Island and Bognor, Butlin opened his first holiday camp at Skegness in Easter 1936, with admissions rising from 500 per week to 1,000 per week by June of that year (Butlin, 1982: 107). This holiday camp still survives whereas other Butlin camps at Filey and Clacton have folded.

The other most popular way to holiday in Skegness is in a caravan. As Walton argues, Skegness saw a decrease in ‘serviced bedspaces’ between 1950 and 1998, but ‘gained more than 15,000 caravans over the same period’, and saw a boom due to second holidays, and self-catering at the turn of the 80s and 90s. (Walton, 2000: 69).

Like Blackpool, Skegness appears to be a resort that acknowledges the working-class tastes of its consumers. The visitors guide usually has the resort’s nickname ‘Skeggy’ unpretentiously emblazoned across its front cover. Comic T-shirts refer to the town as 'Skeg Vegas'.

In summer 2016 I returned to Skegness after an interval of many years. I found that very little had changed since childhood. The sands were still reassuringly crowded with families, there were still plenty of places to buy fish and chips, and the delicious egg custards that aunty enjoyed were still bigger in the Skeggy bakeries than anywhere else on earth.

A Hillbilly shooting gallery that I’d last played in the 1990s was still here, firing water back at those sure-shots who managed to hit a target. One thing which did stand out as being new were the stalls openly selling alcoholic slush! This is a beverage which will cool you off and send you tipsy after sunbathing on the sands all day. 

Slush, fish and chips, donuts and the midday sun will force you to retire to your caravan for a much needed late afternoon nap... 

Further reading:

Butlin, Billy, 1982, The Billy Butlin Story, A Showman to the End, London: Robson Books.

Kerry, Matthew, 2012, The Holiday and British Film, Hampshire: Palgrave Macmillan

Walton, John K., 2000, The British Seaside, Holidays and Resorts in the Twentieth Century, Manchester: Manchester University Press.

A Hop-Picking Holiday

I went on a day trip to pick some hops. Lovibonds' brewery in Henley-on-Thames have an annual hop-picking day in which customers are welcome to help with the harvest for a beer that will be available in a few months time.

It was great fun, and we sampled some fantastic beer on the day too. I was reminded of the Kent hop-picking holidays that existed in Britain before this process became mechanised. People from the east end of London, for example, took annual hop-picking holidays in Kent for many generations. 

A British-Pathé newsreel from September 1931 depicts (what it refers to in its title as) a ‘profit and pleasure’ holiday. The farm shown in the film employs about 2000 pickers. Whole families make the pilgrimage including mothers and young children, who in turn chaperone the babies. 

These families treat the work like ‘their annual holiday’, with one young woman commenting on the health benefits, rather than the drudgery of the job, exclaiming, “Oh what a difference to London – I’ve come down here to try and get that schoolgirl complexion”.

Watch the hop-picking video here

Further info:

Kerry, Matthew, 2012, The Holiday and British Film, Hampshire: Palgrave Macmillan

http://www.lovibonds.com

www.britishpathe.com

Snapshots from Bridlington

Scarborough may have been the first seaside resort in the UK, but Bridlington tourist board will have you know that the first record of surfing in Britain occurred in Brid in 1890. According to local legend, Brothers HRH Prince Jonah Kuhio Kalaniana’ole and HRH Prince David Kawananakoa were studying in the UK and ‘probably made their own surfboards with timber bought from a Bridlington boat-builder’.

Bridlington is on the East Yorkshire coast, south of Scarborough and Filey, and divided from those coastal bays by the magnificent Flamborough Head.

If you arrive here by train you will discover what is possibly the best station refreshment room in England. The Station Buffet is packed with all sorts of interesting paraphernalia and Brief Encounter (1945) springs to mind…

On my previous visit to Brid I called in at the Beside the Seaside museum. In 2016, alas, I found that it had closed, but I have a photo of an exhibit that was housed there in 2009.

Reconstruction of a seaside guest house at Beside the Seaside, 2009

A short walk up the promenade to Sewerby will take you to a Model Village and Tea Gardens. It’s just the kind of attraction that make seaside resorts so special, as if time has stood still, and yet it is still appealing to all generations of customers. I noted that the miniature art shop here is run by an ‘iPad artist’ – a nod to local resident David Hockney.

There are some great examples of seaside architecture in Bridlington, from a building that is deliberately constructed to resemble a boat (complete with mast outside), to the beautifully curved Belvedere Café at the end of the south beach. It has steps wrapped around it’s left side that take you onto a viewing platform on the roof.

Some rather grand houses overlook the sands on the south beach.

And there are some fine examples of beach huts.

If you are looking for a retro treat, Topham’s Ice Cream Parlour (set 1947) is worth a visit. Hot drinks are served in glass mugs here just as they should be, and there are banoffee sundaes and knickerbocker glories on the menu. 

When I was in there, an elderly gentleman wearing a suit, and pinned with an enormous badge reading ‘Sweet Sixteen’ came in. A member of staff exclaimed, “You look very dapper today”, and the gentleman started singing. I didn’t bother going to see the show at the Spa; I had my entertainment for the price of an ice cream...